By Jr. Paul Robeson
The maximum scholar-athlete-performing artist in U.S. heritage, Paul Robeson used to be some of the most compelling figures of the 20 th century.
Now his son, Paul Robeson Jr., strains the dramatic arc of his upward push to status, portray a definitive photograph of Paul Robeson's youth. His father was once an escaped slave; his mom, a descendent of freedmen; and his spouse, the bright and bold Eslanda Cardozo Goode. With a legislation measure from Columbia college; a qualified soccer profession; name roles in Eugene O'Neill's performs and in Shakespeare's Othello; and a live performance occupation in the United States and Europe, Robeson ruled his era.
This extraordinary biography unearths the intensity of Robeson's cultural scholarship, explores the contradictions he bridged in his own and political lifestyles, and describes his emergence as an emblem of the anticolonial and antifascist struggles. jam-packed with formerly unpublished photos and resource fabrics from the non-public diaries and letters of Paul and Eslanda Robeson, this is often the epic tale of a forerunner who now stands as one in every of America's maximum heroes.
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Extra info for The Undiscovered Paul Robeson , An Artist’s Journey, 1898-1939
But unity is impossible without freedom, and freedom presupposes a reverence for the individual and a recognition of the claims of human personality to full development. It is therefore the task of this new spirit to make national unity a reality, at whatever sacrifice, and to provide full opportunities for the development of everyone, both as a living personality and as a member of a community upon which social responsibilities devolve. This universal human spirit eschewed race on behalf of individual and community values; it appealed for unity based on common interest instead of challenging injustice to a minority.
He achieved such dominance in football that state officials changed the rules to neutralize him. Double-team and triple-team blocking were legalized, but still he couldn’t be stopped. On offense, he played fullback. But it was on defense, where he backed up the line, that he truly found an outlet. He gained a statewide reputation as a deadly tackler who could hit with unparalleled ferocity. Paul paid a heavy price for his aggressiveness. In a late-season 1914 game against Phillipsburg, rated the best team in New Jersey at the time, the officials looked the other way as the entire Phillipsburg team constantly piled up on him every time he carried the ball.
E. Zion Church in Somerville, New Jersey, about halfway between Westfield and Princeton. Once again, the black community of Somerville was not nearly as large as Princeton’s, but the church was a substantial one serving a fairly large parish in the surrounding area. ” At the closing ceremonies in June 1911, he gave a rousing oration that included Patrick Henry’s cry, “Give me liberty, or give me death,” undoubtedly thinking of Reed. Arriving at Somerville High School, Paul had to stand tall to carry the day.