By Claire Douglas
The outdated Woman's Daughter bargains women and men alike the way to make experience in their lives and locate extra therapeutic choices than provided by way of our current tradition. In light, evocative imagery, Jungian analyst Claire Douglas invitations readers to reconnect with the traditional culture of the female, the "Old Woman," symbolized via her personal Celtic grandmother. After contemplating the risks to members and the society of the masculine-focused dualities of our personal tradition, Douglas describes another that comes with the female self inside of every one folks, individual. Douglas attracts on fantasy and tale, her personal stories, poetry, the goals of a few of her sufferers, and pictures to be had from Tibetan Buddhism to discover archetypes that aid us realize our inheritance from the previous lady. She describes a kind of treatment that emphasizes "cherishment," or bonding for the aim of convalescing our ties to the traditional female, and she or he deftly contains her look for her personal voice in shaping the e-book into an natural entire. emerging from Douglas's lifelong curiosity within the psychology of the female, this e-book indicates how therapeutic is said certainly to a Motherline of attunement, connection, and cherishment.
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Additional resources for The Old Woman's Daughter: Transformative Wisdom for Men and Women (Carolyn and Ernest Fay Series in Analytical Psychology)
Mothering became pathological, and “instinctual mothering” (which drew me to the animals I watched) suspect, to be replaced by child experts and other educated and scientific authorities. Starting in the 1950s, the term “mother complex” came into common usage. In the field of psychology, its negative connotation held a similar place to that of the wicked “stepmother” in myth and folklore. Many of the baby books were written by experts who mistrusted mothers and taught schedules rather than the possibility of the mother-child bond.
In the Active Imagination or vision, Jung sees a wise old man whom he trusts, and then he sees a blind but beautiful young girl and a snake, both of whom raise his suspicions. ”1 Jung’s reaction recalls our inherited cultural anxiety about the feminine. People of Jung’s era often found themselves ignorant of, or ill at ease with, feminine nature. Their perceptions, like ours, tended to overvalue, undervalue, or distrust the feminine and muddled their outlook with projections. As women have entered the discourse and, partly thanks to innovators like Jung, have had a chance to examine and to reclaim themselves, men and women alike are growing more comfortable with the feminine part of their nature and valuing it more highly.
In order to separate both from it and from their mothers, they flee into an animus-driven hardness and malelike sexuality that loses both their mothers’ support, alas, and contact with their own instinctual energies. As adults, these are the women who can work sixteen or more hours a day and push themselves relentlessly, all the while wondering why they feel so unfulfilled. Jung pondered the reasons why images of the feminine turned so hostile and negative in late nineteenth- and twentieth-century culture.