Download Qué es el arte by Arthur C. Danto PDF

By Arthur C. Danto

A medio camino entre los angeles monografía filosófica y los angeles meditación memorística, Qué es el arte pone en tela de juicio la creencia renowned según l. a. cual el arte es un concepto indefinible, y tras ello nos expone las propiedades que constituyen su sentido universal. Según Danto, y a pesar de las diversas teorías, una obra de arte se outline siempre por dos criterios esenciales: el significado y l. a. materialización, y a estos les suma un tercer criterio, el de l. a. interpretación que cada espectador aporta a esa obra.Con su unusual estilo claro y accesible, Danto combina la filosofía y el arte de épocas y géneros diversos, y de este modo nos ofrece una clara panorámica de los angeles universalidad de l. a. producción estética.

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This refusal to take ‘what is’ as given in advance, and as the ‘ground’ for thought, action, and art is the critical imperative that unites Kant and Deleuze as philosophers of modernity. au/visarts/globe/ghome. html>) and is reproduced with the kind permission of Robert Shubert, the general editor, and Stephen Zagala, the editor of that particular issue dedicated to the theme of beauty. I would like to give special thanks to Stephen for his personal support and help in writing this article. 2 See Deleuze and Guattari’s face-landscape formula (1987: 167–94).

Robert Hurley, Mark Seem, and Helen R. Lane, Minneapolis: University of Minnesota Press. —— (1986) Kafka:Toward a Minor Literature, trans. Dana Polan, Minneapolis: University of Minnesota Press. —— (1987) A Thousand Plateaus, trans. Brian Massumi, Minneapolis: University of Minnesota Press. , trans. Graham Burchell and Hugh Tomlinson, London:Verso. Deleuze, G. and Parnet, Claire (1987) Dialogues, trans. Hugh Tomlinson and Barbara Habberjam, New York: Columbia University Press. Foucault, Michel (1977) Discipline and Punish, New York: Pantheon.

Deleuze, Gilles and Guattari, Félix (1987) A Thousand Plateaus: Capitalism and Schizophrenia, trans. B. Massumi, Minneapolis: University of Minnesota Press. Kant, Immanuel (1974) Anthropology from a Pragmatic Point of View, trans. M. J. Gregor, The Hague: Martinus Nijhoff. S. Pluhar, Indianapolis/Cambridge: Hackett. 8 2 BEAUTY LIES IN THE EYE Steven Shaviro 1 It has become quite fashionable to talk about the Sublime, as it is presented in Kant’s Critique of Judgement, in relation to postmodernism.

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