By Robert Johnson
The Hummel was once probably the most well known self-propelled artillery items utilized by the German military in global battle II. thousands of infrequent photographs convey the Sd.Kfz. one hundred sixty five from the creation strains in Germany to frontline strive against at the jap entrance. as well as those interval pictures, the ebook additionally comprises color images of a superbly restored Hummel to demonstrate right paint color and camouflage schemes.
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The aim of this chapter is to give exactly this sense of context. It is a scene-setting chapter in which I outline, first, the nature of McTells, the blinds firm. Next, I turn to give an overview of the people who worked at McTells, of the way in which they regarded their jobs, and of the nature of the “Stayin’ Alive” shop floor culture they created and in which their musical culture was nested. There are also two side steps in this chapter. The first focuses on the social history of the radio in the workplace, and the second examines the film Saturday Night Fever in which I see an important way of theorizing the relationship between pop music and work.
It allowed us to understand the structuring of pop music as primarily antithetical to work, but it could not close off the question of how this pop music is heard on the McTells factory floor. It is the task of the following chapters to address this question. 3 I Got All My Sisters with Me Music and Community When Elvis Presley died in 1977, Lester Bangs wrote in the Village Voice that Elvis was the last thing that we were all going to agree on, that his was the last music that we would respond to as one.
It is a scene-setting chapter in which I outline, first, the nature of McTells, the blinds firm. Next, I turn to give an overview of the people who worked at McTells, of the way in which they regarded their jobs, and of the nature of the “Stayin’ Alive” shop floor culture they created and in which their musical culture was nested. There are also two side steps in this chapter. The first focuses on the social history of the radio in the workplace, and the second examines the film Saturday Night Fever in which I see an important way of theorizing the relationship between pop music and work.