By Jill C. Nelson
Golden Goddesses vibrantly casts gentle upon twenty-five major ladies taken with the erotic movie in the course of its Golden period, among the years 1968-1985 whilst participation in grownup productions was once unlawful. Profiling performers, administrators, scriptwriters and costumers, Golden Goddesses is a palate of insights, intimacy, vulnerability and energy, because it immerses readers into the lives of those celebrated and audacious ladies. Delicately crafted with movie highlights and greater than three hundred pictures, Golden Goddesses captures the quintessence of a rebellious spirit from days long past by. Featuring the author's personal interviews with Marilyn Chambers, Seka, Kay Parker, Rhonda Jo Petty, Serena, Georgina Spelvin, Juliet Anderson, Candida Royalle, Sharon Mitchell, Gloria Leonard, Annie Sprinkle, Ann Perry, Jody Maxwell, Barbara turbines, Veronica Hart, Kelly Nichols, Ginger Lynn, Kitten Natividad, Amber Lynn, Laurie Holmes, Christy Canyon, Julia St. Vincent, Roberta Findlay, Nina Hartley, and Raven Touchstone.
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Additional resources for Golden Goddesses: 25 Legendary Women of Classic Erotic Cinema, 1968-1985
We just knew that we had to meet them for breakfast in the morning in the coffee shop and meet out during the day at the pool, and then we’d go see a show. Then they’d give us money and we’d go do our thing. I had a little more initiative when we’d go to these shows because I was intrigued by people like Norm Crosby, Eydie Gormé, and others. I’d find my way backstage through the kitchen after these shows and I’d go through the dressing rooms and get their autographs. A cute little blonde boy in a suit jacket — man, you can go far.
It was actually very hard for me when I first began shooting hardcore. I didn’t even want to interview a guy to be in a film and look at his penis because I thought that would make him feel bad so I always asked the males to bring photographs. I would interview them and have them read and I’d look at their body with their shorts on, and then I would hire them without looking at their genitals. Be that as it may, it was hard for me in a scene where people were ejaculating and making love to really use hardcore terms, but it worked and I think that I got along with the people that worked for me pretty well.
She wanted to prove to men that a woman could do a man’s job and that’s what she did. She kept a lot of her personal feelings to herself because she thought it was a weakness. She definitely wasn’t going to let that out there. I asked her later on in years after she’d married Joe Rhine why she divorced my dad and she said that he was “too nice”. She meant he wasn’t a strong, initiative type of man that she thought was going to succeed and make money. What she looked for in a husband was someone who was going to be aggressive and make a lot of money.