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By Gaetano M. Golinelli

Informed by way of platforms pondering, this booklet explores new views within which tradition and administration are harmoniously built-in and cultural historical past is interpreted either as an important a part of the social and fiscal context and as an expression of group id. the mix of a multidisciplinary technique, methodological rigor and connection with powerful empirical findings within the fertile box of study of UNESCO’s contribution suggest that the publication could be thought of a reference for the administration of cultural background. It casts new gentle at the advanced relation of tradition and administration, which has lengthy occupied either students and practitioners and may allow the advance of recent pathways for price construction.

The publication is predicated on examine carried out in the framework of the Consorzio Universitario di Economia Industriale e Manageriale (University Consortium for business and Managerial Economics), a community of universities, companies and private and non-private associations that's devoted to the construction and dissemination of data within the box.

This quantity might be of curiosity to all who're eager about the examine and administration of the cultural heritage.

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74. 164 Cervetti 1986, p. 59. 165 Peggio 1986, pp. 44–45. ] Cultural Value 35 Since then, the tangible benefits that can be derived from enhancement have held a steady position in the cultural and political debate. 166 They also suggest that “le risorse economiche necessarie alla conservazione non ci saranno mai, finché non ne viene evidenziata la valorizzazione economica. Le risorse non si avranno infatti mai semplicemente sulla base del valore etico-estetico della conservazione; solo nella misura in cui il bene culturale viene concepito come convenienza economica, diventa possibile concepire una operazione le cui risorse possono essere destinate alla sua conservazione” (there will never be the economic resources necessary for preservation until the full economic value is highlighted.

Camporesi 1970, 1978a, b, 1980a, b, c, 1981, 1983, 1984, 1985, 1989. 103 Cf. Colombati 2006, p. 92. 22 M. 106 This development, in the face of the new meaning of culture and the notion of bene culturale, created a serious damage107 to be urgently repaired by recovering and preserving all possible knowledge from the past. 104 Cf. in particular in addition to the above citations, Levi-Strauss 1964; Bourdieu 1979; Montanari 1979, 2004; Goody 1982; Faccioli 1987; Mintz 1996; Poulain 2002. Cf. also Di Renzo 2010.

134 Urbani 1976a, now in Urbani 2000, p. 103. ] Urbani 1973 now in Urbani 2000, p. 25. “Se […] non potessimo essere certi che ciò che vediamo di un’opera d’arte è esattamente ciò che quell’opera è […], i nostri discorsi sull’arte non avrebbero senso. L’autenticità costituisce dunque la garanzia razionale della realtà dell’opera, e quindi la condizione stessa della sua intelligibilità critica”. [“if […] we cannot be sure that what we see in a work of art is exactly what this work is […] our talking about art makes no sense.

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