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By Robert Ruz

This publication presents the 1st examine the dynamic resurgence of Peruvian narrative because the past due Nineties. Talk-show host Jaime Bayly's seven novels have scandalized Lima's society with their therapy of homosexuality and feature attracted checklist revenues in the course of the Spanish-speaking international with their intriguing new edition of Lima slang and concentrate on McOndo issues. collage lecturer Iván Thays has vigorously adverse this gentle narrative by means of supplying a 'high' cultural replacement. His 3 novels have performed an immense position within the regeneration of Peruvian tradition because the fall from strength of President Alberto Fujimori. Madrid-based Jorge Eduardo Benavides' narrative has provided an aesthetically not easy and explicitly politicized replacement. His marrying of aesthetics and politics stands in value along Mario Vargas Llosa and José María Arguedas when it comes to the mediation among tradition and politics in Peru because the 1930s.. ROBERT RUZ accomplished his PhD at Cambridge collage lower than the supervision of Geoffrey Kantaris. En este libro se ofrece los angeles primera perspectiva del dinámico resurgimiento que ha experimentado los angeles narrativa peruana desde finales de los angeles década de los noventa. Las siete novelas de Jaime Bayly, presentador de televisión, han escandalizado a los angeles sociedad limeña debido al tratamiento que en ellas se da al tema de los angeles homosexualidad y han generado un récord de ventas por todo el mundo de habla hispana debido a su apasionante recreación del argot limeño y a su concentración en los temas del grupo McOndo. El profesor de universidad Iván Thays se ha opuesto firmemente a esta literatura mild, ofreciendo en su lugar una alternativa culta. Sus tres novelas han desempeñado un importante papel en los angeles regeneración de l. a. cultura peruana desde l. a. caída del poder del Presidente Alberto Fujimori. los angeles narrativa de Jorge Eduardo Benavides, radicado en Madrid, ha presentado una alternativa estéticamente estimulante y explícitamente politizada. Por lo que respecta a l. a. mediación entre l. a. cultura y l. a. política en el in line withú desde los angeles década de los años treinta, los angeles hard work de unificación de los angeles estética y los angeles política de Benavides se halla, en cuanto a importancia, al nivel de Mario Vargas Llosa y José María Arguedas.

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Extra info for Contemporary Peruvian Narrative and Popular Culture: Jaime Bayly, Iván Thays and Jorge Eduardo Benavides (Monografías A)

Example text

The emphasis on the symbol of the mask in La noche es virgen resonates in part with Butler’s (1993, 318) idea of using to advantage the fact that identity is a performance: the ‘subversive possibilities [of drag] ought to be played and replayed to make the “sex” of gender into a site of insistent political play’. Butler argues (1990, 137–48) that gender should be seen as a fluid variable, with shifts and changes in different contexts and at different times (in line with Foucault): potentially, the confines of identity can be reinvented, and she calls for subversive action in the present – what she terms ‘gender trouble’.

Just as it is futile and against the grain of the subversive intentions of the narrative to separate fiction and reality, it is equally futile to attempt to distinguish between biography and novels, between Bayly and his characters. A study of Bayly’s texts/Bayly the writer is inseparable from Bayly the media ‘personality’, and all are part of the same package. In (the novel) La noche es virgen the protagonist Gabriel is aware of how he can play with and subvert this identity that is socially and politically constructed through performance, and this is a process that very much mirrors the performative identity of Jaime Bayly the television presenter/writer.

Whereas Luis Felipe’s response to the suggestion that his son might be gay is ‘hubiera preferido un mongolito, carajo’ (Bayly (1994, 127)), for the mother homosexuality is a disgusting transgression in accordance with the teachings of ‘La Obra’ (Opus Dei). Other influential figures in the boy’s upbringing are engaged in sexual activities in a hypocritical way: sexually molesting Opus Dei priests at ‘El campamento’, the headmaster of his school Markham College and his friend Jorge Bermúdez, who betrays Joaquín to cover up his own homosexuality.

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