By Nick Catalano
Even supposing he died in a sad vehicle coincidence at twenty-five, Clifford Brown is broadly one in all crucial figures within the heritage of jazz, a trumpet participant who ranks with Louis Armstrong, Dizzy Gillespie, and Miles Davis, and a number one impact on modern jazz musicians. Now, in Clifford Brown: The existence and artwork of the mythical Jazz Trumpeter, Nick Catalano provides us the 1st significant biography of this musical huge.
in keeping with huge interviews with Clifford Brown's relatives, pals, and fellow jazz musicians, here's a interesting portrait of a amazing musician. Catalano depicts Brown's adolescence, exhibiting how he built a facility and staggering method that few jazz gamers have ever equaled. We learn of his meteoric upward thrust in Philadelphia, the place he performed with some of the prime jazz avid gamers of the Fifties, together with Dizzy Gillespie and Charlie Parker; his travel of Europe with Lionel Hampton, which made him well-known; and his formation of the Brown-Roach Quintet with trendy drummer Max Roach--one of the most well-liked tough bop combinations of the day. Catalano additionally exhibits that Brown was once a extraordinary individual--he grew up in a middle-class African-American domestic in Wilmington, Delaware, attended collage, was once a talented mathematician, and had broad cultural pursuits. furthermore, in an period while such a lot jazz gamers have been both alcoholics or addicts, Brown was once clean-living and drug loose. certainly, he turned a task version for musicians who have been being affected by medicines and had nice impact during this region with one renowned colleague, tenor sax participant Sonny Rollins.
Clifford Brown not just presents a colourful account of Brown's lifestyles, but additionally positive factors an educated research of his significant recorded solos, highlighting Brown's originality and revealing why he is still a good impression on trumpet gamers this day. it's a publication that anybody with a major curiosity in jazz should want to personal.
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Extra info for Clifford Brown: The Life and Art of the Legendary Jazz Trumpeter
Initially, Clifford's playing failed to impress the manager of the Aces of Rhythm, Ben Cashman, who himself played the trumpet. He recalled the young Clifford Brown's hanging around the band shortly after he had begun to study with Boysie Lowery. "I never thought he would amount to anything, to tell you the truth," said Cashman. "9 After managing the Aces for about seven months, Cashman departed for Boysie Lowery and Howard High / 25 Florida. Upon his return to Wilmington a couple of years later, Boysie Lowery urged him to come and listen to Clifford.
That was stupendous. . "12 Many of the beboppers had good jobs playing show music in nearby Atlantic City. Coles recalled that "after the [Atlantic City] gig was over, like 5 o'clock in the morning, we used to go around to the Club Harlem [in West Philadelphia] and set up and play 'til 10 o'clock. We got hot one night, and Clifford must have played about twenty minutes. And every chorus was different. " Billy Root also recalled a pivotal encounter Clifford Brown had with Charlie Parker. "One time Charlie Parker was playing down in a club in Philadelphia, and somehow they invited Clifford up to play.
With unwavering determination, Joe Brown strove to have his children follow his interest in music. He went to great lengths to encourage them in formal musical training. Geneva recalls: "My daddy was a person who loved music. I guess he must have had some musical talent, but it never had a chance to be developed.. He had all sorts of musical instruments in the house. We always had a piano. He had a guitar, he had a violin, he had a trumpet and a cornet. " When asked if Joe could "play" any of these horns, Geneva responded: "He could make music on 'em.