By Marlon Brando, Robert Lindsey
A good, revealing self-portrait via the seriously acclaimed, fiercely self sufficient actor discusses his youth, occupation, international travels, social activism, and profiles of buddies, enthusiasts, and specialist colleagues.
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Additional info for Brando: Songs My Mother Taught Me
Was there life out there? And if so, was it benevolent, or malevolent? Was it primitive, or intelligent and evolved to any meaningful degree? Only the most daring or reckless asked such questions, as conventional wisdom, derived both from science and theology, firmly believed the Earth to be the biological center of the universe. This naïveté was reflected in the popular culture of the times as well. The movies of the 1950s and early ’60s are interesting in the way they depict America’s childlike understanding with unobscured honesty, along with a touch of fear, just as it really was.
These were transitional days for those in the testing fraternity, as there had been words between the older stick-and-rudder pilots and those of the new technological hybrid that would be needed not only for computer-aided flight in aircraft, but also for missions into deep space. Old-school pilots, great as they were, clung to the integrity of aircraft with mechanical aerodynamic controls that performed by reacting to the forces of nature within the atmosphere. Now here came these new pilots who aspired to one day “fly” beyond the atmosphere altogether.
I understood that if a person were to one day go to the moon, the voyager would come back a few microseconds younger than a twin who had stayed behind. I didn’t yet fully understand that at the bottom of all matter there was no simple, coherent picture of physical reality. Though they taught the mathematics of the new physics, the larger issues and the deeper implications of the theories had not, even then, trickled down to the ordinary engineering professor. Coming to fully understand the implications of these notions was years away.