By J. Jeremy Wisnewski, Kristopher G. Phillips
A wise philosophical examine the cult hit tv convey, Arrested Development
Arrested improvement earned six Emmy awards, a Golden Globe award, serious acclaim, and a devoted cult following--and then it used to be canceled. thankfully, this booklet steps into the void left by way of the show's untimely loss of life through exploring the interesting philosophical matters on the center of the quirky Bluths and their comedian exploits. no matter if it's reflecting on Gob's self-deception or digging into Tobias's double entendres, you'll watch your favourite scenes and episodes of the express in a complete new way.
Takes an interesting examine the philosophical rules and tensions within the show's plots and themes
provides new insights in regards to the Bluth relations and different characters: Is George Michael's weigh down on his cousin unnatural? Is it immoral for Lindsay to lie approximately stealing outfits to conceal the truth that she has a role? Are the photographs fairly of bunkers or balls?
permits you to sound super-smart as you rattle off the names of significant philosophers like Sartre and Aristotle to provide an explanation for key characters and episodes of the show
filled with thought-provoking insights, Arrested improvement and Philosophy is key interpreting for someone who desires to recognize extra approximately their overdue, lamented television convey. And it'll maintain you entertained till the long-awaited Arrested improvement motion picture eventually comes out. (Whenever that is.)
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Additional info for Arrested Development and Philosophy: They've Made a Huge Mistake (The Blackwell Philosophy and Pop Culture Series)
Cass] had it in for me,” Audrey complained. ”6 The unhappiness in her professional life was tempered by the happiness in her personal life revolving around new boyfriend James Hanson, a 28-year-old millionaire socialite whose family ran a trucking business in Yorkshire. Hanson, who had been a notorious playboy and had counted among his previous girlfriends such movie stars as Jean Simmons, Ava Gardner, and Joan Collins, had served gallantly during World War II and was now spending his time fox hunting and yachting.
The city’s newspapers and radio station had come under government control. The Germans, who criminally squeezed every bit of wealth from the aristocratic families in each country in their growing sphere, quickly devastated the Van Heemstras financially. Though the family was allowed to remain in its ancestral home, the invaders confiscated all their gold, and their silver money was replaced by zinc. Their bank accounts and securities were liquidated and their personal jewelry was looted. The van Heemstras went from rich to poor in short order.
At first, the producers felt she was too tall in comparison to the leading men in the film, which nearly cost her the role. In late February 1951, however, she was deemed far too talented for such a triviality to prevent her from playing Nora. The 21-year-old had earned the most important role of her young career—that of a beautiful ballet student who flees from London along with her sister after a central European dictator murders their father. Nora is soon drawn into an assassination plot against the killer.