By Brian Massumi
A surprise to concept brings jointly essays that discover Deleuze and Guattari's philosophy of expression in a couple of modern contexts. will probably be of curiosity to all these in philosophy, cultural reports and artwork thought. the quantity additionally includes an interview with Guattari which basically restates the 'aesthetic paradigm' that organizes either his and Deleuze's paintings.
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Extra info for A Shock to Thought: Expressions After Deleuze and Guattari (Philosophy & Cultural Studies)
This refusal to take ‘what is’ as given in advance, and as the ‘ground’ for thought, action, and art is the critical imperative that unites Kant and Deleuze as philosophers of modernity. au/visarts/globe/ghome. html>) and is reproduced with the kind permission of Robert Shubert, the general editor, and Stephen Zagala, the editor of that particular issue dedicated to the theme of beauty. I would like to give special thanks to Stephen for his personal support and help in writing this article. 2 See Deleuze and Guattari’s face-landscape formula (1987: 167–94).
Robert Hurley, Mark Seem, and Helen R. Lane, Minneapolis: University of Minnesota Press. —— (1986) Kafka:Toward a Minor Literature, trans. Dana Polan, Minneapolis: University of Minnesota Press. —— (1987) A Thousand Plateaus, trans. Brian Massumi, Minneapolis: University of Minnesota Press. , trans. Graham Burchell and Hugh Tomlinson, London:Verso. Deleuze, G. and Parnet, Claire (1987) Dialogues, trans. Hugh Tomlinson and Barbara Habberjam, New York: Columbia University Press. Foucault, Michel (1977) Discipline and Punish, New York: Pantheon.
Deleuze, Gilles and Guattari, Félix (1987) A Thousand Plateaus: Capitalism and Schizophrenia, trans. B. Massumi, Minneapolis: University of Minnesota Press. Kant, Immanuel (1974) Anthropology from a Pragmatic Point of View, trans. M. J. Gregor, The Hague: Martinus Nijhoff. S. Pluhar, Indianapolis/Cambridge: Hackett. 8 2 BEAUTY LIES IN THE EYE Steven Shaviro 1 It has become quite fashionable to talk about the Sublime, as it is presented in Kant’s Critique of Judgement, in relation to postmodernism.