By Robert L. Gale
Lafcadio Hearn was once a prolific 19th-century author with varied reviews. He was once born in Greece; trained in eire, France, and England; and thereafter resided within the usa, the French West Indies, and Japan. he's most sensible recognized for his nonfiction, basically his essays and newspaper columns, even though he additionally wrote a number of tales that drew at the lore of other cultures. yet he'll continually be remembered because the American author who first wrote widely approximately Japan and made Asiatic tradition available to British and American readers. This reference is a complete consultant to Hearn's lifestyles and career.
Included within the quantity are enormous quantities of alphabetically prepared entries for person works by way of Hearn and collections of his writings, for contributors of his kinfolk, and for the colleagues and neighbors who figured prominently in his lifestyles. The entries summarize his perspectives, display his willing notion, and exhibit the breadth of his musings. Entries frequently cite works for extra analyzing, and the quantity additionally incorporates a bibliography. whereas the ebook is firstly a consultant to Hearn, it additionally exhibits how jap society used to be first provided to the West.
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Additional info for A Lafcadio Hearn Companion
However, Cable had worked with Krehbiel since 1878 and published “Creole Slave Songs” (Century, April 1886) with Krehbiel’s help and with illustrations by E. W. Kemble, who was famous for his earlier illustrations of Twain’s Adventures of Huckleberry Finn (1884). The story of the later estrangement of Hearn and Cable is one of the saddest in American literary annals. It exemplifies Hearn’s lifelong inability to retain the friendship of good people. Bibliography: Bisland; John Cleman, George Washington Cable Revisited (New York: Twayne Publishers, 1996); Cott; Stevenson; Tinker; Arlin Turner, George W.
British novelists have depicted British aristocrats favorably. Contemporary French authors, however, picture French nobility mostly as “villains or idiots . . ” French readers relish all of this because they hate their own titled folk. “LES CHIFFONIERS” (1874). Cincinnati news article. Hearn learns about country and city cotton rags, hard wool rags, and soft wool rags and about scrap metal, glass, and bones. He goes to the city dumps, passes several scavengers scurrying “with a noiseless swiftness that seemed goblin-like,” and offers to talk to a vulture-like woman who supports two sons.
In an 1889 letter to their mutual friend George Milbry Gould,* Hearn described Bisland as fiercely energetic and her influence on him like hasheesh. Her pro-feminist stance is indicated by her short story “The Coming Subjugation of Man” (Bedford’s Magazine, October 1889). In it, a scientist, using a powerful microphone, learns the language of bees (Hearn loved bees) and is told that female bees have evolved in such as way as to dominate male bees. Drones know this but can’t help their plight. The narrator recognizes that the same fate may befall humankind.