By Kara DioGuardi
Through the years, award-winning hitmaker, savvy checklist executive, winning tune writer and previous American Idol judge Kara DioGuardi has labored with the best. Her songs were recorded via such superstars as red, Carrie Underwood, Britney Spears, Christina Aguilera, Kelly Clarkson, Gwen Stefani, Santana, Steven Tyler, Celine Dion and so forth. yet good fortune wouldn’t have occurred for this songwriter, artist and manufacturer with out the darker instances of defeat. Now, during this daringly sincere memoir, DioGuardi unearths every little thing she’s discovered approximately residing, developing, loving, stumbling, making a choice on herself up back and finally succeeding. And, in fact, she hares behind-the-scenes tales from her years on American Idol, together with the genuine fact approximately her departure from the show. Passionate, large and humorous, A Helluva excessive notice inspires readers to discover, strengthen and stick with their very own precise voice.
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Additional resources for A Helluva High Note: Surviving Life, Love, and American Idol
It was their passion. But only my aunt succeeded in that goal. There were even rumblings that one great-uncle fell gravely ill with depression because his dream of being an opera singer was never realized. These Pizzutellos (my nanny’s maiden name) were sensitive, and rejection cut them deep at the core. Unfortunately, success in music, or any field for that matter, is about taking the chances, absorbing the blows, and staying in the fight. Come to think of it, maybe I’ve been channeling a bit of my aunt Teresa all these years.
I really did a job on my poor mother, who suffered from toxemia during her pregnancy and had to have an emergency C-section, as both of our lives were at stake. She said I came into this world with a vengeance and a mission. Although it would take me a minute to find my groove, she was right. Music was the universal language in my family. I cannot remember a day when I didn’t hear it. Whether it was my nanny Mary, my maternal grandmother playing Debussy’s “Clair de Lune” on the piano, or my father’s mother, Nanny Grace, singing “When the Red Red Robin” or my mother blasting Frankie Valli and the Four Seasons on the oldies station in her Ford Pinto.
In a way it’s the soundtrack to my life. It takes you through the events that inspired my music and influenced me to be the person I am today. My way of storytelling is truer to the art of songwriting than it is to penning memoirs because that’s what I know and do best. When you sit with the page—or with your collaborators, in the case of songwriting—you never really know what piece of your past, present, or future is going to surface. But it’s good to leave yourself open to the surprise. What will you tap into this time?